L'Invité surprise (1989)
Directed by Georges Lautner

Comedy / Thriller

Film Review

Abstract picture representing L'Invite surprise (1989)
L'Invité surprise sees director Georges Lautner return to the genre that he virtually made his own in the 1960s, namely the comedy thriller. Alas, this latest zany Lautner offering is no Les Tontons flingueurs or Ne nous fâchons pas, but rather a somewhat half-baked comedy that gets tangled up in its wild plot convolutions and ends up looking like a second rate American television crime drama with random gags thrown in. Judging by this film and some of the ones that preceded it, it looks as if Lautner has definitely lost his touch.

There are admittedly one or two good laughs along the way, but these are too few and far between to make the film worth watching.  Even such comedy heroes as Jean Carmet and Michel Galabru are reduced to parodying themselves in a clumsy attempt to inject some humour into the proceedings.  The gimmicky idea of having the story told from the perspective of a supposedly dead man is an obvious steal from Billy Wilder's Sunset Boulevard (1950) but it adds to the film's quirkiness and prevents it from being a routine policier.  Ultimately it is left to Victor Lanoux and Eric Blanc to salvage the film as best they can - a feat they just about manage to pull off as the odd-ball father and son.
© James Travers 2005
The above content is owned by frenchfilms.org and must not be copied.
Next Georges Lautner film:
L'Inconnu dans la maison (1992)

Film Synopsis

Invité surprise is a popular reality TV show in which a man is apparently shot dead 'on air', to the consternation of a shocked audience.  The 'victim', Martin Gaillard, is in fact unharmed and goes on to relate his bizarre personal history.  It all began a few days ago, when Martin was an obscure Parisian tourist guide.  He supplements his income by selling canvasses painted by his adopted father, Charles Mazzena, a former police chief who was forced into early retirement after falling from grace.  Having witnessed a car bombing in front of a restaurant, Martin begins his own investigation, his only lead being a photograph of the supposed bomber.

Without delay, the young man hands over the negatives to a woman photographer to develop them, but before she can do so she is attacked and the incriminating photographs are taken from her.  This prompts Martin to wonder if the French security forces may have had a hand in the bombing.  Intrigued, Mazzena begins making enquiries of his own and learns, from an old informer, that the KGB are the ones who planted the car bomb.  Suspecting a state conspiracy, Martin airs his own opinions about the bombing in a radio broadcast, which immediately makes him and his adopted father the target of some mysterious hit-men.  It seems that someone in a position of power is very keen to see have Martin and Mazzena silenced for good...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Georges Lautner
  • Script: Georges Lautner, Didier Van Cauwelaert
  • Cinematographer: Yves Rodallec
  • Music: Philippe Sarde
  • Cast: Victor Lanoux (Charles), Eric Blanc (Martin Gaillard), Jean Carmet (Le colonel), Michel Galabru (Le Boureux), Jacques François (Le directeur de la P.J.), Renée Saint-Cyr (Léa), Françoise Dorner (Julie), Gérard Hernandez (Le patron du casino), Jean Rougerie (Robineau), Florence Geanty (Domenica), Agnès Blanchot (La blonde), Mouss (Pouffy), Jérémie Semonin (Frédéric), Michel Baumann (Le barbu), Muche (La concierge), Franck de la Personne (L'animateur TV), Marcel Philippot (Le marchand de tableaux), Michel Francini (Brig. Francis), Gabriel Gobin (Le vieil homme), Jean-Marie Lemaire (Marcel)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 80 min

The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
The best of Indian cinema
sb-img-22
Forget Bollywood, the best of India's cinema is to be found elsewhere, most notably in the extraordinary work of Satyajit Ray.
The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
The very best of French film comedy
sb-img-7
Thanks to comedy giants such as Louis de Funès, Fernandel, Bourvil and Pierre Richard, French cinema abounds with comedy classics of the first rank.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright