Hugo Bersac is an ambitious young journalist on a provincial newspaper,
Midi Jour, who is impatient to make a name for himself as a serious
reporter. His long awaited opportunity comes when a fashion model
is murdered. His curiosity pricked, Hugo immediately begins
following the criminal investigation. He soon becomes
disappointed with the ineffective police enquiry and decides that he
will himself unmask the killer. Ignoring the advice of his boss
and pleas of his adoring wife Evelyne, Hugo throws himself into the
labyrinth of crime, just as two other women are murdered...
Cast:Michel Piccoli (Hugo Barsac),
Odile Versois (Evelyne Barsac),
Dany Saval (Corinne Page),
Yves Vincent (De Marchelier),
Rolande Kalis (Barbara Kers),
Alain Bouvette (Paul Amiot),
Jean Vinci,
Roger Rudel,
Michel Karloff,
Henry Allaume,
René Clermont,
Serge Davri,
Robert Manuel
Country: France
Language: French
Support: Black and White
Runtime: 89 min
The best of American film noir
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
Continental Films, quality cinema under the Nazi Occupation
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.