Une balle dans le canon (1958)
Directed by Michel Deville, Charles Gérard

Crime / Drama
aka: A Bullet in the Gun Barrel

Film Review

Abstract picture representing Une balle dans le canon (1958)
Michel Deville's illustrious film career as a director began not so much with a bang as with a muted whimper, via this derivative crime drama.  Deville shared the directing duties with another first timer, Charles Gérard, who is better known today as an actor, most prominently in a series of films directed by Claude Lelouch in which he played a character named Charlot.  Leaping onto the first band wagon that came their way, namely American-style film noir gangster films, Deville and Gérard did a good job of mopping up all the clichés but failed spectacularly to deliver an original work of cinema that was likely to grab the attention of critics and audiences.  Despite being part-scripted by Albert Simonin, whose crime novels have frequently been adapted for French cinema, Une balle dans le canon manages to be aimless, dull and formulaic, with Deville's penchant for random plot digressions weakening an already insipid narrative.  The one saving grace is that the film is reasonably well-cast, with Paul Frankeur providing the dramatic muscle it badly needs as stereotypical hoodlum.  Jean Rochefort had his first credited film role here, appearing in a scene with another celebrated actor near the start of his career, Michel Lonsdale.  After this far from auspicious beginning, Michel Deville found his voice with his next film, Ce soir ou jamais (1961), the first in a series of gentle comedies that earned him his directing credentials.
© James Travers 2014
The above content is owned by frenchfilms.org and must not be copied.
Next Michel Deville film:
Ce soir ou jamais (1961)

Film Synopsis

Dick and Tony are two veterans of the war in Indochina who have turned to trafficking to make a living.  They accept a commission from a gangster known as Le Maltais to deliver 25 million francs.  When their employer fails to turn up to claim his money, the two men decide to keep the money for themselves and buy a nightclub. Anxious that Le Maltais will one day try to reclaim his money, Dick and Tony hire a hitman, Pépère, to get rid of him.  Unfortunately, this only makes a bad situation worse...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Michel Deville, Charles Gérard
  • Script: Albert Simonin (story), Charles Gérard, Michel Deville
  • Cinematographer: Claude Lecomte
  • Music: Raymond Bernard
  • Cast: Pierre Vaneck (Tony), Mijanou Bardot (Brigitte Geoffrain), Paul Frankeur (Pépère), Roger Hanin (Dick), Hazel Scott (Herself), Gérard Buhr (Alberto), Colette Duval (Colette), Don Ziegler (Le Maltais), Robert Le Béal (M. Geoffrain), Yves Arcanel (Un inspecteur de la P.J.), Jean Rochefort (Léopold), Mario David (Le protecteur évincé), Guy Henry (Un inspecteur de la P.J.), Marcel Rouzé (Le gardien Legendre), Albert Simonin (Chang - le Chinois), Pierre Cordier, Roger Desmare, Michael Lonsdale, Jean-Pierre Moutier, Bruno Balp
  • Country: France
  • Language: French
  • Support: Black and White
  • Runtime: 95 min
  • Aka: A Bullet in the Gun Barrel

The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
The very best sci-fi movies
sb-img-19
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
The best of Russian cinema
sb-img-24
There's far more to Russian movies than the monumental works of Sergei Eisenstein - the wondrous films of Andrei Tarkovsky for one.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright