Film Review
One of the most depressing trends in French cinema recently is the one
where relatively inexperienced film directors attempt to combine genres
which are manifestly incompatible,
thereby arousing a level of interest which is seldom merited.
La France is a sublime example of
this - an eccentric synthesis of traditional wartime drama with musical
comedy which is, depending on your tastes, either totally inspired or
totally insane.
Not surprisingly, the film has divided critics into two opposing camps
- those who love it and those who hate it. It is most definitely
not a film that will appeal to everyone, and it is certainly a film
that many down-to-earth cinemagoers will find hard to take
seriously. The problem with
La
France is not that it combines two very different genres.
The problem is the jarring mismatch between the film's WWI setting and
the choice of songs, which have absolutely nothing to do with the
period in which the story takes place and totally undermine the drama.
Between the increasingly irksome bursts of song all the film has to
offer are long, plodding intervals of uninspired narrative in which no
cliché is overlooked and no real attempt is made, by either the
script writers or actors, to give us characters that are in any way
convincing or interesting. The only element of the film that is
beyond criticism is its stunning cinematography, which successfully
evokes the era and experiences of ordinary WWI soldiers, bringing a
moody, poetic sense which the rest of the film sorely lacks.
Imagine a version of Lewis Milestone's
All Quiet on the Western Front
in which the ill-fated soldiers in the trenches periodically break into
renditions of
Abba's greatest hits and you will have some idea how mad and
ill-conceived this film
is. Some critics may praise director Serge Bozon's daring
and make this out to be the most exciting development in French cinema
since the New Wave, but most
viewers will recognise the film for what it is: a rather silly stunt.
© James Travers 2008
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
In the autumn of 1917, Camille is anxious for news of her husband, who
is away fighting in a seemingly interminable war. Then, one day,
she receives a short letter from her husband in which he calls an
abrupt end to their marriage, without any explanation.
Bewildered, Camille sets off in search of her husband. Disguised
as a boy, she joins a battalion of French soldiers who are heading for
the front...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.