Les Amours d'Astrée et de Céladon (2007)
Directed by Eric Rohmer

Drama / Romance
aka: The Romance of Astrea and Celadon

Film Review

Abstract picture representing Les Amours d'Astree et de Celadon (2007)
Les Amours d'Astrée et de Céladon has been presented as Eric Rohmer's final film.  If this is so, it is an appropriate close to the career of the oldest and arguably greatest of the surviving New Wave directors - a tale of love in a bucolic setting that feels like the purist distillation of Rohmer's entire oeuvre.  It may not be in the league of this director's previous great films, but it is a film with immense charm and is a fitting, and typically individualistic, way for Eric Rohmer to sign off.

Based on an epic 17th century novel by Honoré d'Urfé, the film recounts a romantic fable set in fifth Century Gaul.  Rohmer adheres as close as he can to the spirit and form of the original novel and, as a result, the film has a beguiling unreality that sets it apart from most of modern cinema.  It isn't so much a piece of drama as an alluring visual poem in which the protagonists are not real people but the dream-like abstractions that we find in fairy tales and myths.

To some, the film will appear shallow and precious.  The stylised, almost theatrical performances do jar somewhat but, on reflection, are appropriate for the kind of film that Rohmer had in mind.  This is not a realist drama but a piece of visual poetry, comparable only with Rohmer's earlier Perceval le Gallois (1978), one that celebrates the splendour of romantic love and the beauty of the natural world.  The antithesis of today's commercial cinema, which seems increasingly obsessed with showing us the worst of humanity, Les Amours d'Astrée et de Céladon is a refreshing reminder that there are artists who can still see wonder and beauty in the world and convey this in their work.
© James Travers 2009
The above content is owned by frenchfilms.org and must not be copied.
Next Eric Rohmer film:
Véronique et son cancre (1958)

Film Synopsis

Gaul in the 5th Century.  Astrée is a beautiful young shepherdess who is devotedly in love with Céladon, a handsome young shepherd.  But when she imagines that her lover has been unfaithful to her, Astrée tells him that their love is at an end.  Disconsolate at this rejection, Céladon throws himself into the river, but is saved from drowning by a party of nymphs.  They take him to their castle and tell him that he must never leave them, yet Céladon longs to be with the one he loves.  But how can he return to Astrée, when he has sworn never to appear in her sight again...?
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Eric Rohmer
  • Script: Honoré d'Urfé (novel), Eric Rohmer
  • Cinematographer: Diane Baratier
  • Music: Jean-Louis Valéro
  • Cast: Andy Gillet (Céladon), Stéphanie Crayencour (Astrée), Cécile Cassel (Léonide), Véronique Reymond (Galathée), Rosette (Sylvie), Jocelyn Quivrin (Lycidas), Mathilde Mosnier (Phillis), Rodolphe Pauly (Hylas), Serge Renko (Adamas), Arthur Dupont (Semyre), Priscilla Galland (Amynthe), Olivier Blond (Un berger), Alexandre Everest (Un berger), Fanny Vambacas (Une bergère), Caroline Blotière (Une bergère), Alain Libolt (Le commentateur), Marie Rivière (La mère de Céladon)
  • Country: France / Italy / Spain
  • Language: French
  • Support: Color
  • Runtime: 109 min
  • Aka: The Romance of Astrea and Celadon ; Romance of Astrea and Celadon ; Romance of Astree and Celadon

The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
The very best of Italian cinema
sb-img-23
Fellini, Visconti, Antonioni, De Sica, Pasolini... who can resist the intoxicating charm of Italian cinema?
The greatest French film directors
sb-img-29
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright