Film Review
Les Toits de Paris is one of
those rare pieces of cinema that really can alter your outlook on
life. Directed by the acclaimed Kurdish filmmaker Hiner Saleem,
the film shows us life from the perspective of someone who is at the
extreme lower end of the social spectrum, an old man who is literally
counting down his last few days in the squalor and decrepitude of an
existence that most of us would think unbearable. Smile folks,
this is our future.
And yet, despite the abject bleakness of the film's subject matter, Saleem gives it a
bizarre sense of joie de vivre, as if to say that however bad things
get, life is still worth living. The characters in this film may
initially appear to be pitiful wretches with nothing to hope for, but
as we get to know them we realise that they are not miserable, and that
they perhaps have a greater appreciation of the value of life than most
people at the other end of the income spectrum.
There is something tragically noble, heroic even, in Michel Piccoli's portrayal of
the oldster who is at the heart of this film. Piccoli of course
needs no introduction to aficionados of French cinema and is renowned
for the colour and vitality he brings to his performances.
Here, the actor is at his near-best - sympathetic but not
pitiful. He conveys the brutal tragedy of old age and yet there
is no mawkishness or self-pity evident in his portrayal. Whilst
human beings, whatever their personal circumstances, can still make
contact with other human beings, life is still a thing of beauty, and
Piccoli conveys this sentiment admirably, with the connivance of his
talented co-stars Mylène Demongeot (best known for her many
appearances in rubbishy comedies of the 1960s and 70s), Maurice Bénichou and
Marie Kremer.
Les Toits de Paris is not an
easy film to watch. Some viewers will find it relentlessly
depressing, since it reminds us of the fate that awaits most of us: a
solitary and miserable decline into advanced old age from which death
will be a merciful release. Yet, gloomy as this may seem, the
film is also strangely uplifting, a darkly engaging auteur piece that
is crafted with a distinctive poetry, insight and a touch of mild
eccentricity.
© James Travers 2009
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
Paris, during a long hot summer heat wave. Marcel is an old man
for whom home is a tiny room beneath the roofs of a Parisian apartment
block. His only relative is his son, whom he rarely sees, and the
number of friends he has he can count on the fingers of one hand.
He has one true friend (if that is the right term): Amar, an immigrant
of his own age who lives in the room next to his. Marcel is
shocked when Amar reveals he intends to go back to his own
country. Amar's companionship has been the one thing that has
made his extreme poverty and solitude bearable...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.