Film Review
With a string of successful comedy shorts under his belt, fledgling film
director Ernst Lubitsch was keen to take on a more ambitious project
and had his opportunity to do just that when UFA producer Paul Davidson
agreed to back a lavish drama that required location filming in
Egypt. That film,
Die Augen
der Mumie Ma (originally released in the US as
The Eyes of the Mummy) was the one
that put Lubitsch on the map, an outright commercial success which
marked the start of his fruitful collaboration with the Polish actress
Pola Negri. After this, Lubitsch and Negri worked together on
several films, including the historical epic
Madame
Du Barry (1919), the film that brought them international
renown and their ticket to Hollywood. Other Lubitsch-Negri
collaborations included:
Sumurun (1920) and
Die Bergkatze (1921).
By virtue of its title,
Die Augen
der Mumie Ma is often casually lumped in with German expressionist horror
films of the 1920s, films such as Paul Wegener's
Der Golem, wie er in die Welt kam
(1920) and Murnau's
Nosferatu (1922). Whilst
the film certainly has some horrific elements - notably the climactic
confrontation between Ma and her Svengali-like tormenter Radu - it
would be a mistake to classify it purely as a horror film. With
its fast-moving narrative, it aligns more with the episodic adventure
films of the time - for example, Louis Feuillade's
Tih-Minh
(1918) and Fritz Lang's
Die Spinnen (1919) - and has
hardly any of the tropes we now associate with expressionistic
horror or, for that matter, Lubitsch.
This important milestone in Ernst Lubitsch's career - the director's
first full-length dramatic work - is almost completely overlooked today
and easily derided for its obvious shortcomings. The plot and
characters appear to have been plucked haphazardly from a penny
dreadful, but Pola Negri is as stunning as ever and Emil Jannings
is delightfully over the top as the blacked-up villain with eyes
resembling ping-pong balls.
Die Augen
der Mumie Ma may look inconsequential compared
with the masterpieces that Lubitsch would routinely serve up in later
years but this over-seasoned feast of cheap escapist fun is worth at least one viewing.
© James Travers 2014
The above content is owned by frenchfilms.org and must not be copied.
Next Ernst Lubitsch film:
Ich möchte kein Mann sein (1918)
Film Synopsis
During his sojourn in Egypt, a young painter named Wendland visits the
ancient tomb of Queen Ma, a place that is reputed for driving anyone
who enters it insane. A local named Radu takes him into the
tomb and shows him a coffin with eyes that suddenly come to life.
Having fought off his guide, Wendland opens the coffin and is surprised
to find that it is the entrance to a hidden chamber in which a young
girl, Ma, is being held captive. The painter rescues Ma and takes
her back to Europe, where he educates her, makes her his wife and
allows her to begin a career as an exotic dancer. As Ma slips
from his grasp, Radu swears to have his revenge...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.