Jean-Louis Trintignant

1930-2022

Biography: life and films

Abstract picture representing Jean-Louis Trintignant
Jean-Louis Trintignant was one of France's most distinguished and recognisable actors. In a busy acting career that encompasses more than half a century, he appeared in over a hundred films and has worked with some of the most eminent of French and Italian film directors, including Eric Rohmer, Michel Deville, Alain Robbe-Grillet, François Truffaut, Bernardo Bertolucci and Ettore Scola. When he started appearing in films, Trintignant was almost invariably cast as the gauche romantic hero, seductive but not imposing. Later, he gravitated towards darker, more complex roles, becoming more of the anti-hero, misanthropic, solitary, calculating and cynical. A quiet and unassuming man by nature, Trintignant remained modest about his achievements and did not actively seek stardom. Few French actors are as universally well-regarded and he was unquestionably one of the most charming and talented actors of his generation.

The son of a wealthy industrialist, Jean-Louis Trintignant was born on 11th December 1930 at Piolenc in the department of Vaucluse in southeast France. As a boy, he had ambitions of following in the footsteps of his uncle, the well-known motor racing driver Maurice Trintignant. In 1949, Trintignant began to study law at Aix-en-Provence, but, at the age of 19, he found a sudden passion for acting, having seen Charles Dullin's stage production of Molière's L'Avare. He abandoned his studies and took drama classes in Paris, under Charles Dullin and Tania Balachova. Trintignant claimed that acting is what allowed him to overcome his chronic shyness.

Trintignant made his stage debut in 1951 in a production of À chacun selon sa faim with Raymond Hermantier's theatre company. Having spent a few years in theatre practicing his art, he then made up his mind to become a film director. He studied filmmaking technique at the prestigious film school IDHEC (Institut des hautes études cinématographiques), although it would be twenty years before he made his first film, Une journée bien remplie (1972). This, and the next film he made, Le Maître-nageur (1979), proved to be major flops, and so Trintignant's hopes for a successful filmmaking career were effectively dashed.

After the Storm, a Second Wind

Jean-Louis Trintignant began appearing in films in the mid-1950s. Having taken a few bit parts, he was given his first significant film role in Christian-Jaque's Si tous les gars du monde (1956). Later that year he found international fame when he starred opposite Brigitte Bardot in Roger Vadim's Et Dieu... créa la femme (1956). Trintignant's brief affair with Bardot attracted the attention of the world's press and destroyed Vadim's marriage to the actress. Trintignant escaped the media maelstrom by going off and doing his military service. He served in the Algerian War and was profoundly affected by what he experienced during the conflict. Three years of military life were enough for him and he returned to civilian life eager to resume his acting career. Having won praise for his stage portrayal of Hamlet, he was given another important film role by Roger Vadim, appearing alongside Jeanne Moreau and Gérard Philipe in an updated version of Les Liaisons dangereuses (1960).

Trintignant's long association with Italian cinema began with Valerio Zurlini's Estate violenta (1959), followed by Dino Risi's Il Sorpasso (1962), one of his biggest successes in Italy. Around this time, he met and married Stéphane Audran, although the marriage was short-lived and the actress left him to marry director Claude Chabrol. Claude Lelouch's Oscar winning Un homme et une femme (1966) brought Trintignant another dose of international celebrity and established him as one of France's leading film stars. In 1968, he won the Silver Bear Best Actor award at the Berlin International Film Festival for Alain Robbe-Grillet's L'Homme qui ment (1968).

In 1968, Trintignant married the actress and film director Nadine Marquand, with whom he would make several films, including some with their daughter Marie. The couple had three children, but two would die in tragic circumstances - Pauline was a victim of cot death; Marie, a prominent actress, was killed when she was 41, in the course of a violent dispute with her boyfriend, Bertrand Cantat. The couple later divorced and Trintignant subsequently married the famous racing driver Marianne Hoepfner in 1984.

Hero of the Polar and Neo-Polar

In the 1960s and 70s, Trintignant became particularly associated with the political thriller, an increasingly popular genre in France and the kind of film that seemed to fit the actor's cool but sensitive persona perfectly. Of the many political thrillers he appeared in, the best known are: Alain Cavalier's Le Combat dans l'île (1962), Costa-Gavras's Z (1969) (which won him the Best Actor award at Cannes in 1969), Bernardo Bertolucci's Il conformista (a.k.a. The Conformist) (1970) (which he rates as one of his best roles) and Yves Boisset's L'Attentat (1972). Other notable thrillers include Jacques Deray's Flic Story (1975) (in which he makes an effective contrast with Alain Delon), Michel Deville's Eaux profondes (1981) and François Truffaut's swansong Vivement dimanche! (1983).

A Film Auteur's Best Friend

Whilst Jean-Louis Trintignant had a very strong presence in mainstream French cinema for the best part of three decades, he also appeared in several notable auteur pieces. These include: Eric Rohmer's Ma nuit chez Maud (1969), Ettore Scola's La Terrazza (1980) and Alain Tanner's La Vallée fantôme (1987), in which the actor gives some of his best performances. Trintignant's later appearances in Jacques Audiard's Regarde les homes tomber and Krzysztof Kieslowski's Trois couleurs Rouge totally transformed his screen persona and allowed him to make a high profile comeback in the mid-1990s.

Trintignant's early ambitions to become a racing car driver were finally fulfilled in the 1970s, when, having taken lessons in the sport, he began to compete in various races and rallies, including the Le Mans 24 Hours (in 1980) and the Monte-Carlo Rally (in 1982 and 1984). In 1996, he gave up racing and bought a vineyard just outside Nîmes in the Languedoc-Roussillon region of France. It was career move that suited him and within a few years he had become one of the region's most successful viticulturists. Jean-Louis Trintignant did not turn his back on the profession that made him famous and which he remained passionate about. Since 2000, he periodically made an appearance in French cinema, although he preferred to devote his acting energies to the theatre, the place where he discovered the histrionic art and made it his first mistress. Four years after he was diagnosed with prostate cancer, Jean-Louis Trintignant passed away peacefully at his home in the Occitanie town of Collias, Gard, on 17 June 2022.
© James Travers 2012
The above content is owned by frenchfilms.org and must not be copied.



The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
The best French films of 2018
sb-img-27
Our round-up of the best French films released in 2018.
The silent era of French cinema
sb-img-13
Before the advent of sound France was a world leader in cinema. Find out more about this overlooked era.
Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
The greatest French Films of all time
sb-img-4
With so many great films to choose from, it's nigh on impossible to compile a short-list of the best 15 French films of all time - but here's our feeble attempt to do just that.

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright