Lévy et Goliath (1987)
Directed by Gérard Oury

Comedy / Thriller

Film Review

Abstract picture representing Levy et Goliath (1987)
Director Gérard Oury is best known for his comic gems of the 1960s and 1970s - films such as La Grande vadrouille (1966) and Les Aventures de Rabbi Jacob (1973) which were massive box office hits and have since become undisputed comedy classics.  His later films were, in comparison, disappointing, broaching thorny subjects (such as terrorism, drugs and religion) with a lack of sensitivity that borders on bad taste and ineptitude.  Lévy et Goliath is one such film, and one that will probably cause offence, mainly for its superficial portrayal of orthodox Jewish culture, but also because the plot is grimly puerile in places.

If the film had been a straightforward comedy drama based around the reconciliation of two brothers of a Jewish background, it would probably have worked rather well.  Richard Anconina and Michel Boujenah are two talented actors who bring sympathy and depth to their portrayals of two estranged brothers, separated by their different attitudes to life and religion.  Unfortunately, whilst this dynamic is an important part of the film, it is not the main story strand.  The film is less about two estranged brothers learning to accept each other, and more about one vulnerable man being hunted across Paris by a band of faceless, and comically inept, drugs pushers.  It is the thriller element of the film which ultimately drags it down and ruins it, all but obliterating some beautifully heartfelt moments involving Anconina and Boujenah, diluting the comedy and rendering the whole thing muddled and unconvincing.
© James Travers 2005
The above content is owned by frenchfilms.org and must not be copied.
Next Gérard Oury film:
La Soif de l'or (1993)

Film Synopsis

Moïse Lévy is an orthodox Jew living in Antwerp.  He has no time for his brother Albert, who has given up the traditions of his Jewish background for a modern life, running a café in Paris and marrying a non-Jew.  However, fate has a hand in bringing the two brothers back together.  One day, Moïse is tasked with taking a suitcase load of diamond powder to a car factory in Paris.  En route, unbeknown to Moïse, some drugs smugglers slip a bag of cocaine into the suitcase in a hasty attempt to get through customs undetected.  When the drugs smugglers fail to recover their cocaine, Moïse hands it over to the car factory, believing it to be the diamond powder.  Shortly afterwards the young Jew is accosted by the drugs dealers who ask him to hand over their cocaine.  Realising his life is in danger, Moïse has no other choice than to appeal to his brother Albert for help.  Unfortuately, the leader of the drugs smugglers, a sadistic brute named Goliath, is determined to get back the missing drugs at any cost...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Gérard Oury
  • Script: Gérard Oury, Danièle Thompson (dialogue)
  • Cinematographer: Wladimir Ivanov
  • Music: Vladimir Cosma
  • Cast: Richard Anconina (Moïse Lévy), Michel Boujenah (Albert Lévy), Jean-Claude Brialy (Bijou), Souad Amidou (Malika), Maxime Leroux (Goliath), Sophie Barjac (Brigitte), Louba Guertchikoff (Rebecca), André Valardy (Nathan), Maurice Chevit (Oncle Mardoché), Didier Pain (Bob Gendron), Ticky Holgado (Le faux bossu), Philippe Besson (Fredo), Muriel Combeau (Sarah), Evelyne Didi (Marlène), Jean-Paul Farré (Ouvrier de Renault), Alain Flick (Le non-fumeur dans le train), Bernard Lepinaux (Yann), Dominique Mahut (Charley), Isabelle Mergault (Charlotte), Nathalie Nerval (Tante Léa)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 105 min

Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
The very best of French film comedy
sb-img-7
Thanks to comedy giants such as Louis de Funès, Fernandel, Bourvil and Pierre Richard, French cinema abounds with comedy classics of the first rank.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright