Lucky Jim (1957)
Directed by John Boulting

Comedy

Film Review

Abstract picture representing Lucky Jim (1957)
After satisfactory pillorying two of Britain's age old institutions, the army and the legal profession, in Private's Progress (1956) and Brothers in Law (1957), the Boulting brothers directed their satirical gaze towards another, academia, for the third of their successful film comedies.  Freely adapted from Kingsley Amis's best-selling novel of the same title, Lucky Jim offers up another abundant helping of comic hijinks, with the Boultings' main star Ian Carmichael perfectly chosen to play the accident-prone, anti-establishment title character. 

With Terry-Thomas providing comedy back-up as he had done (superbly) in the previous Boulting comedies, and Hugh Griffith revelling in the part of Jim's heavily eyebrow-endowed nemesis Professor Welch, Lucky Jim proves to be a boisterous comedy with plenty of charm, although its uneven episodic structure prevents it from having the polish of the Boultings' previous films.  The film's main flaw is that it lacks the satirical bite of Amis's book and ends up as little more than a series of slapstick situations, often with a dud punchline that is hardly worth waiting for.  For those not familiar with the novel that inspired it, Lucky Jim is an engaging enough romp, but it somewhat misses the point that Amis had in mind.
© James Travers 2013
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

Jim Dixon, a young history professor, is approaching the end of his year-long contract at a typical British redbrick university.  He knows his superior, Professor Welch, does not approve of his modern teaching methods and doubts if he will be offered a permanent position.  Jim is taken aback when Welch asks him to give the memorial lecture and invites him to attend a party at his house.  Eager to make a good impression, Jim soon finds himself a fish out of water in Welch's house, and one calamitous situation leads to another.  He soon manages to get on the wrong side of Welch's son Bertrand, a pretentious modern writer, and falls hopelessly in love with the latter's Canadian girlfriend, Christine...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: John Boulting
  • Script: Kingsley Amis (novel), Patrick Campbell (screenplay), Jeffrey Dell (dialogue)
  • Cinematographer: Mutz Greenbaum
  • Music: John Addison
  • Cast: Ian Carmichael (Jim Dixon), Terry-Thomas (Bertrand Welch), Hugh Griffith (Professor Welch), Sharon Acker (Christine Callaghan), Jean Anderson (Mrs. Welch), Maureen Connell (Margaret Peel), Clive Morton (Sir Hector Gore-Urquhart), John Welsh (The Principal), Reginald Beckwith (University Porter), Kenneth Griffith (Cyril Johns), Jeremy Hawk (Bill Atkinson), Ronald Cardew (Registrar), Penny Morrell (Miss Wilson), John Cairney (Roberts), Ian Wilson (Glee Singer), Charles Lamb (Contractor), Henry B. Longhurst (Professor Hutchinson), Jeremy Longhurst (Waiter), Al Fernhead (The voice of), Harry Fowler (Cab Driver)
  • Country: UK
  • Language: English
  • Support: Black and White
  • Runtime: 95 min

The best of Indian cinema
sb-img-22
Forget Bollywood, the best of India's cinema is to be found elsewhere, most notably in the extraordinary work of Satyajit Ray.
Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
The Golden Age of French cinema
sb-img-11
Discover the best French films of the 1930s, a decade of cinematic delights...
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright