Once he has established himself in Hollywood, French film director Paul
Robaix sets out to make his most ambitious film, an adaptation of
Puccini's opera Madame Butterfly,
filmed on location in Japan. His wife Lucy Dell has already
starred in many of his previous films and believes she is perfect for
the part of the doomed heroine Cio-Cio-San. Unfortunately, Paul
has other ideas and believes that it is essential for the film's
authenticity for him to cast a real Japanese geisha in the role.
Besides, he wants to prove that he can succeed on his own merits rather
than depend on his wife's celebrity as an actress. Not one to
give in so easily, Lucy goes off to Japan and, with the support of
producer Sam Lewis, begins taking lessons on how to become a real
geisha. It is not long before Lucy is completely transformed and,
under the name Yoko Mori, not even her husband would recognise
her...
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.