Film Review
Papa ou maman epitomises the
kind of "sounds good on paper" high concept comedy that is proving to
be phenomenally successful in France at the moment, even if it fails to
deliver more than a barrel-load of easy laughs as its authors struggle
to develop the concept into something more substantial than a quick
moneyspinner. Scripted by Matthieu Delaporte and Alexandre de La
Patellière, the film lacks the sophistication of their earlier
box office winner,
Le Prénom (2012), and is
too busy churning out gags for the easily pleased to bother with such
fiddling matters as plot and characterisation. The film might
have had more punch if Delapore and de La Patellière had
directed it themselves, but on this occasion that honour fell to first
timer Martin Bourboulon, who seems to be somewhat out of his depth, or
at least lacking in restraint and good taste.
It's not hard to see why
Papa ou
maman has proven to be such a hit with the French cinemagoing
public (with an audience of 2.8 million, it is likely to be one of the
most successful French films of 2015). With so many fictional
dramas depicting parents fighting it out to have custody of their
children, it is a refreshing change to see one with the reverse
scenario, where mummy and daddy will do absolutely anything to rid
themselves of their unwanted offspring. It's a badly needed
antidote to the sentimental slush cinema audiences have had to contend
with in recent years - parents behaving badly as their spoiled and
manipulative little brats get what they deserve. All is fair in
love, war and divorce, so emotional blackmail and some not-so friendly
persuasion bordering on the outright sadistic are called in to play as
the battling divorcees go out of their way to prove themselves unfit to
be a parent. It looks as if their precious kiddiwinks will end up
traumatised for life, and you can see them running off to social
services begging to be taken into care.
Alas, the film doesn't stay the course and ends up taking a predictably
easy way out which leaves you squirming in your seat. If the
writers had made an effort to develop real characters rather than make
do with paper-thin comicbook substitutes,
Papa ou maman might have got away
with its lame final plot twist, but in spite of the gutsy comedy
performances from leads Laurent Lafitte and Marina Fois the film just
pans out as you would expect any lowbrow mainstream comedy - it's
entertaining enough whilst it lasts but it all adds up to very
little. At least it reveals a lighter side to Marina Fois and
hopefully it won't be so long before we see her in a somewhat more
adult comedy.
© James Travers 2015
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
Vincent and Florence Leroy are the model couple who have achieved
everything they could possibly have wished for. They have made a
success of their careers and their marriages, and now they hope to
proceed with the perfect divorce. Unfortunately, this is the time
when Fate decides to act against them, offering them both the career
opportunity of a lifetime whilst expecting them to forgo the role of a
parent. This is unfortunate, as Vincent and Florence have three
children. For the first time, the once ideal partners now find
themselves at war. Each is ready to do whatever it takes to
ensure that the other is made to take custody of the children.
Que la guerre commence!
© James Travers
The above content is owned by frenchfilms.org and must not be copied.