T'aime (2000)
Directed by Patrick Sébastien

Drama / Romance

Film Review

Abstract picture representing T'aime (2000)
The seemingly omnipresent French TV personality Patrick Sébastien both directed and starred in this unusual film which appears to want to combine social realism with fairytale-like sentimentality.  Although the result is far from completely satisfying, the childish simplicity of the film and its attractive photography give it a poetic charm which makes even its worst excesses just about palatable - but only just.

Most of the film's problems seem to stem from its script.  There is scarcely a single part of the storyline which is remotely believable.  Would an adolescent girl really fall madly in love with the man who beat her?  What kind of pschiatrist would try to bring together a rape victim and her attacker?   And why does Annie Girardot give away the film's ending a good twenty minutes before the closing credits?  The limp, artificial, dialogue does little to add credibility to either plot or character and the abundence of bird metaphors (well, they are cheep-er by the dozen) soon becomes trying.  Yes, there are times when you wonder whether the film's author has any understanding of human feelings at all.  This is an autistic child's view of the world, not that of a fully developed, rational human being.  This might have worked had the entire story been told from the point of view of the unfortunate Zef but no, even that opportunity was thrown to the birds.

That the film stands up at all and has any emotional grip on its spectator is due almost entirely to the talents of its cast. In spite of the quality of the material they are given Samuel Dupuy and Marie Denarnaud manage to make their characters sympathetic,  if not entirely credible.  It is a lot harder to fault Patrick Sébastien on his acting than on his direction; his portrayal of a hippy psychiatrist is not bad, even if the character he plays appears just as unbalanced as the mentally deranged people under his care.

Some will find this film enchanting: a naive, minimalist poem of ephemeral love. Others will hate it for its vulgar simplicity, clumsy plotting and gutless lack of realism.  It is certainly an original and frankly bizarre work from a most unlikely film director.
© James Travers 2004
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

In a rural town, a party is being thrown in honour of its most celebrated resident, Paul Gontier.  The festivities are disrupted by Gontier's former wife, Christine, an alcoholic who resents no longer having care of their daughter, Marie.  The latter, still a teenager, is attracted to Zef, a retarded young man of her own age.  The child-like Zef witnesses his sister beinging struck violently during a passionate love-making session.  Equating physical violence with love, Zef gives an unsuspecting Marie the same treatment.  Zef is immediately arrested and put in a secure psychiatric establishment whilst Marie, shocked into a state of near-catatonia, is placed in the care of the psychiatrist Hugues Michel.  The latter decides that the only way to cure Marie is to bring her into the contact with the man who tried to rape her…
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Patrick Sébastien
  • Script: Patrick Sébastien
  • Cinematographer: André Diot, Henri Habans
  • Music: René Coll
  • Cast: Patrick Sébastien (Hugues Michel), Jean-François Balmer (Paul Gontier), Michel Duchaussoy (Louis), Marie Denarnaud (Marie Gontier), Myriam Boyer (Christine), Samuel Dupuy (Zef), Jean-François Dérec (Marc, l'infirmier), Isabelle Tanakil (Anne Gontier), Nathalie Roussel (Jeanne Michel), Julien Mediavilla (Thomas Michel), Marie Boutot (Virginie Michel), Olivia Brunaux (Sophie), Jean-Jacques Cripia (Robert), Annie Girardot (Emma), Arthur Beatty (Joé), Jean Lescot (Gaëtan Durieux), Javotte Rougerie (L'infirmière Berty), Pierre Mirat (Le maire), Etienne Draber (Le médecin), Béjo (Le patron du stand de tir)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 90 min

Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
The very best of Italian cinema
sb-img-23
Fellini, Visconti, Antonioni, De Sica, Pasolini... who can resist the intoxicating charm of Italian cinema?
The greatest French Films of all time
sb-img-4
With so many great films to choose from, it's nigh on impossible to compile a short-list of the best 15 French films of all time - but here's our feeble attempt to do just that.
The best of American cinema
sb-img-26
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright