Film Review
Nicholas Hytner's vibrant screen adaptation of Alan Bennett's
successful stage play
The Madness of
George III is a lavish production that relates, with a perfectly
judged blend of humour and pathos, one of the darker episodes in the
history of the British monarchy. Although the film can hardly
fail to impress with its sumptuous visual design, stylish photography
and slick mise-en-scène, its emotional impact is almost
entirely down to Nigel Hawthorne's extraordinary central performance as
the afflicted monarch. In a reprise of the role that he played to
great acclaim at the National Theatre in London, Hawthorne takes the
audience through the entire emotional range, and often you cannot be
sure whether to laugh, cry or flich in horror. Hawthorne
established his comedy credentials in the role of Sir Humphrey Appleby
in the BBC television series
Yes,
Minister, but his outstanding turn in
The Madness of King George leaves us
in no doubt that he had a much greater range and deserves to be rated
as one of Britain's great dramatic actors. Yes, the film has a
stellar supporting cast, with Helen Mirren, Rupert Everett and Ian Holm
all giving their best, but this is unequivocally Hawthorne's film, the
highpoint of his distinguished career in film and television.
In a highly promising screen debut, Nicholas Hytner, the stage director
of the original play, does an impressive job of transposing Bennett's
dialogue-heavy play from stage to screen. Not only does he open
up the play, showing the wider consequences of King George's supposed
descent into insanity, but he also makes it more visual, allowing the
camera to embellish and embolden what is in the script. The
sequences where the king runs amok in Windsor Castle and its environs,
pursued by his attendants, provide the most powerfully moving and
memorable moments in the film.
The
Madness of King George is well-researched and has great
educational value, showing on the one hand how little has changed in
British parliamentary procedure since the 1780s, whilst presenting
medical practices that now appear to look like something from another
(very backward) planet. Evidently, we've come a long way since the days
when health care professionals glibly assessed a person's mental
well-being by the size of his lavatory deposits. But isn't it
reassuring to see that today's career politicians perfectly resemble
their 18th century counterparts?
Alan Bennett's impeccable screenplay is up to the author's usual high
standard - laden with wit and poignancy whilst skilfully elaborating on
the complex characters of the main players in the drama. Bennett,
along with Hawthorne and Mirren, was nominated for an Oscar for his
work on the film, but the only Academy Award it picked up on the night
was for its set design. The film fared somewhat better at the BAFTAs,
garnering nominations in 14 categories and winning awards for Best
Actor (Nigel Hawthorn), Best Make Up and the Alexander Korda Award for
Best British Film. Lovingly crafted, superbly scripted and set
ablaze by Nigel Hawthorne's magnificent tour de force performance,
The Madness of King George is a
banquet for both the eyes and the soul - unquestionably one of the
British film highlights of the 1990s.
© James Travers 2011
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Film Synopsis
In 1788, King George III of Great Britain is almost 30 years into his reign
but those closest to him have noticed a sudden deterioration in his
state of mind. He is prone to incessant babbling, hurls
obscenities at those who displease him and foists his unwelcome attentions
on his queen's lady-in-waiting. The king's son, the Prince of
Wales, sees an opportunity to gain power for himself and allies himself
with the Leader of the Opposition to get a bill through parliament
making him Prince Regent, effectively ending the king's reign.
Those loyal to the king enlist the services of an unorthodox physician,
Dr Willis, who is confident that he can cure the king by subjecting him
to a harsh regime of confinement and abstinence. The stakes are
high and events are moving fast. Unless King George can make a
swift and full recovery, he will be history...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.