Film Review
Having made his Saint debut in
The
Saint Strikes Back (1939), George Sanders makes a spirited
return to the role in what is widely considered the best of the eight
Saint films made by RKO between
1938 ad 1943. Based on a short story entitled
The Million Pound Day by the Saint's creator Leslie
Charteris (and more faithful to Charteris' original concept than most
of the Saint's big screen outings),
The
Saint in London combines a fast moving mystery-thriller with
plenty of witty banter between the main characters. The pairing of Sanders
(some years before he became typecast as the archetypal English cad)
with Sally Gray (who plays Templar's society sidekick Penny Parker)
lightens the mood of the film considerably and seems to be a forerunner
of similar partnerships in such shows as
The Avengers - Sanders has Patrick
Macknee's insouciance and debonair charm (multiplied by a factor of ten),
Gray has Diana Rigg's spunk and
glamour. David Burns completes the ensemble as a B-movie heavy
turned gentleman's gentleman - oddly, he seems to get all the best
lines. The film is directed with panache by John Paddy Carstairs,
who also has the distinction of directing two episodes in the British
1960s television series
The Saint.
Today, Carstairs is perhaps best remembered for his brace of Norman
Wisdom comedies, which include
Just My Luck (1955) and
The Square Peg (1959).
© James Travers 2012
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
On his return to London, high class thief Simon Templar, alias The
Saint, investigates the suspicious activities of Bruno Lang, a society
gambler who appears to be implicated in a plot to print one million
pounds in foreign currency. Having found the evidence he needs in
Lang's safe at his country house, Templar narrowly evades death by the
timely intervention of Penelope Parker, a society lady with a thirst
for adventure. With the grudging support of his old enemy
Inspector Teal, Templar uncovers the participants in Lang's outlandish
scheme, but will he live to see them brought to justice...?
© James Travers
The above content is owned by frenchfilms.org and must not be copied.