Zig Zag Story (1983) Directed by Patrick Schulmann
Comedy
Film Review
The inevitable sequel to the massively popular comedy Et la tendresse?... Bordel! (1979) is this
uninhibited anarchic romp which looks as if it was conceived to break every taboo
in the book whilst parodying social attitudes to love and sex.
In common with virtually every other film that Patrick Schulmann directed, this
excessively boisterous sequel is painfully uneven. There are places where it
is brilliantly funny, but many of the gags are excruciatingly laboured,
to the point that you doubt whether you will live long enough to hear/see
the punchline.
Not surprisingly, given this was the era when
political incorrectness was at its most extreme, the humour is mostly
in appallingly bad taste, but lacking the restraint of more family-friendly comedies
of this time, the laughs are more readily extracted.
The classiest thing about the film is a wonderfully incongruous Fabrice Luchini.
Effortlessly, he steals the show as a compulsive voyeur - although
the scenes where he is seen drooling over a pre-teen girl and later when he is seduced
by a stripping nun come dangerously close to crossing the line into
X-rated naughtiness.
There are some great jokes, but the film really is just too silly, too O.T.T., too provocative
to be anywhere near as satisfying as Patrick Schulmann's earlier Bordel
film.
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Film Synopsis
A drop of water falling from the guttering of a building causes a chain reaction ending
in a traffic jam which allows Gil Darmon, an aspiring painter, to meet Cat, a radio presenter.
It's love at first sight and it's not long before Cat has moved into the loft apartment
which Gil shares with his friend Bob, a sex-obsessed photographer. When a young
girl is abducted, Gil finds himself the prime suspect...
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.
Continental Films, quality cinema under the Nazi Occupation
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.