Film Review
The German director Ernst Lubitsch was just 26 when he made his most outrageous
film in 1918,
Ich möchte kein Mann sein (a.k.a.
I Don't Want
to Be a Man), an unbridled satirical comedy that is one of cinema's earliest
and most entertaining cross-dressing farces. Prior to this, Lubitsch
had made around twenty shorts but it wasn't until his next film,
Die Augen der Mumie Ma
(1918), that he managed to get himself noticed. Perfectly cast
as the scurrilous tomboy wishing she were a man (until she sees the downsides)
is Ossi Oswalda, the onetime dancer who appeared in several of Lubitsch's
early films, most notably
Die
Austernprinzessin (
The Oyster Princess) and
Die Puppe (
The Doll) (1919).
Ossi's popularity and exposure earned her the nickname of the German Mary
Pickford and she is glorious in this slapstick-laden humour fest.
That famous Lubitsch touch, which would become so evident during the director's
prolific Hollywood years (in such films as his riotous Greta Garbo vehicle
Ninotchka), is very much in evidence
in this dazzling silent film, along with a distinctive anti-authoritarian
streak. Even today,
Ich möchte kein Mann appears daringly
risqué - not because a woman should dare to dress and act as a man,
but because of its overt homosexual allusions, which would become virtually
taboo a generation later. Within a few years of making this film, Ernst
Lubitsch would rapidly become one of Germany's leading filmmakers, garnering
an international reputation with his grand historical dramas, including
Madame Du Barry (1919) and
Anna Boleyn (1920). After
this astonishing start to his career, his move to Hollywood in 1922 seems
almost inevitable.
© James Travers 2009
The above content is owned by frenchfilms.org and must not be copied.
Next Ernst Lubitsch film:
Die Austernprinzessin (1919)
Film Synopsis
Young Ossi rebels against her authoritarian uncle by smoking, drinking and
playing cards. If only she were a man she would be free to do all the
things she enjoys! She gets her opportunity when her uncle goes away
on a business trip. She dresses herself up as a man and goes off to
a ball for an evening of unfettered masculine debauchery. Ossi soon
discovers that there is a downside to being a man. Women shamelessly
throw themselves at her feet, believing that she really is of the male sex.
Then she runs into Dr Kersten, the man who is supposedly charged with watching
over her in her uncle's absence. Kersten invites Ossi to get drunk
with him and, mistaking her for a pretty young man, starts to flirt with
her. At this point, Ossi begins to realise how lucky she is not to
be a man...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.