Sous le signe du taureau (1968)
Directed by Gilles Grangier

Drama
aka: Under the Sign of the Bull

Film Review

Abstract picture representing Sous le signe du taureau (1968)
This run-of-the-mill drama marks the final chapter in the long-standing relationship between director Gilles Grangier and actor Jean-Gabin.  Beginning  with La Vierge du Rhin in 1953, the two men worked together on a dozen films over a fifteen year period, most of these films being popular successes.  Although Grangier's film later films - of which this is a fair example - lacked the atmosphere, pace and originality of his earlier works (which were influenced by film noir), they were still very well-received by the French cinema going public.

Sous le signe du taureau is a film that is both unsatisfying and also strangely unsettling. It has the style of a typical 1960s thriller, but also the feel of a documentary. The film is presumably intended to be a social drama and it does indeed make some meaningful comments on the competing interests of commerce and science in an increasingly technologically driven world. However, the whole thing is so leaden and detached, so lacking in human feeling that it fails to have any real impact.
© James Travers 2004
The above content is owned by frenchfilms.org and must not be copied.
Next Gilles Grangier film:
Adémaï bandit d'honneur (1943)

Film Synopsis

The industrialist Albert Raynal has high hopes for his latest project, a revolutionary new missile, the SR01.  Unfortunately, the missile explodes on its first test flight and Raynal's financial bankers, one of whom is his brother-in-law Jérôme Laprade, withdraw their support for any further research and development.  Raynal's banker, Magnin, then refuses to cover the inventor's debts and he can expect no sympathy from his badly neglected wife, Christine, who is on the point of divorcing him.

When a wealthy friend of his, Augagneur, also lets him down, Raynal goes chasing after another potential backer, Vacher, who made his fortune as a scrap metal merchant.  This proves to be another let down and Raynal is driven to desperate measures to ensure his dream project gets off the ground again.  If no one is prepared to lend him money, he will have to resort to writing uncovered cheques.  When this fraud is discovered, the only person who is inclined to bail Raynal out is his wife...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Gilles Grangier
  • Script: Michel Audiard, François Boyer, Gilles Grangier, Claude Sautet, Roger Vrigny (novel)
  • Music: Jean Prodromidès
  • Cast: Jean Gabin (Albert Raynal), Suzanne Flon (Christine Raynal), Colette Deréal (Rolande), Raymond Gérôme (Jérôme Laprade), Fernand Ledoux (Le juge), Jacques Monod (L'industriel Marchal), Alfred Adam (Vacher - le ferrailleur), Michel Auclair (Le banquier Magnin), Marthe Alycia (Mme Laprade Mère), Louis Arbessier (Aupagneur), Etienne Bierry (Lambert - un technicien), Jean-Paul Moulinot (Pierre), Max Amyl (Le commissaire de Rouen), Yves Arcanel (Le chef-mécanicien de Raynal), André Badin (Un cuisinier), René Bouloc (Jean-Pierre Raynal), Robert Dalban (Le cafetier), Jean-Pierre Hercé (Le cadet de Raynal), Sophie Leclair (La dactylo), Armand Meffre (Un ingénieur chez Raynal)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 77 min
  • Aka: Under the Sign of the Bull

Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
Kafka's tortuous trial of love
sb-img-0
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright