Spécial police (1985)
Directed by Michel Vianey

Crime Thriller

Film Review

Abstract picture representing Special police (1985)
Richard Berry and Carole Bouquet star in this stylish but unevenly paced (and painfully formulaic) action thriller, directed by Michel Vianey.  Berry and Vianey had previously worked together on a similar thriller, Un assassin qui passé (1981).  Whilst Berry and Bouquet are individually rather good in the film, they appear uncomfortable together, and their lack of on-screen chemistry is what prevents the film from having the human dimension it desperately needs.  The action scenes are well choreographed but this cannot make up for a creaking script which is over-reliant on ludicrously improbable plot developments.
© James Travers 2005
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

By hiding herself in the cellar, Isabelle Rodin just manages to avoid the fate of her brother Robin and his wife, both murdered by unknown assassins one evening.  Unable to make any sense of what has happened, Isabelle immediately gets in touch with a friend of Robin's, a former cop named David Ackerman.  The latter has given up ordinary police work and now works in the police laboratories on scientific research.  Although he is reluctant to get drawn back into his old life, David is sufficiently intrigued by Isabelle's story that he feels he must investigate, if only to avenge the death of a good friend.

David soon discovers that Robin was mixed up with an ultra-secret political group that had acquired damning evidence against some high-ranking public figures.  To prevent their criminal exploits (drugs trafficking and illegal arms dealing) from coming to light, the latter would be prepared to do anything to silence their opponents - even resort to murder.  Realising that he is getting into very deep water, David places Isabelle in the care of his ex-wife Julie, who becomes the killers' next victim.  Now that the contest has become personal, David throws himself into his private investigation with a vengeance, determined not only to find the killers but to expose their powerful paymasters.  In this he is helped not only by his scientific training, but also by a young Chinese computer whizzkid...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Michel Vianey
  • Script: Simon Michaël, Michel Vianey
  • Cinematographer: Claude Agostini
  • Music: Jean-Pierre Mas
  • Cast: Richard Berry (David Ackerman), Carole Bouquet (Isabelle Rodin), Fanny Cottençon (Julie), Jean-Pierre Malo (Leguen), Benoît Régent (Livio), Jean-Jacques Moreau (Pierre Salmon), Georges Lavaudant (Bertrand), Vincent Martin (Chaumard), Jean-Claude Dauphin (Durand), Patrick Bonnel (Félix), Jean-Pierre Bagot (Jacques Berthier), Eric Do (Wong), Jean-Marc Maurel (Marc Robin), Gérard Ismaël (Weber), Marie Lebée (Mme Maurin), Patrick Poivey (Le médecin légiste), Jim Adhi Limas (Lin Pao), Jean-Marc Truong (Fu), Peter Chatel, Jean-Claude Lecas
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 92 min

The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
The best of American cinema
sb-img-26
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
The best French films of 2019
sb-img-28
Our round-up of the best French films released in 2019.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright