Un assassin qui passe (1981) Directed by Michel Vianey
Crime / Thriller
Film Review
This is a very dark detective thriller which also serves as a moving examination of the
psychology of an unwitting psychopath. Richard Berry plays the disturbed murderer
who is incapable of controlling his dangerous emotions in an inspired piece or casting.
Berry is rarely this intensely caught up in his character and he gives one of his most
memorable performances. The sheer hopelessness of his character's lot is magnificently
echoed by some stunning camera work which shows that he is as much the victim of his crimes
as he is the perpetrator.
Jean-Louis Trintignant plays the charismatic and completely ruthless police inspector
who is hot on the trail of the serial killer. In a curious reversal of roles, his
character is presented as the villain, even though he is, at heart, as lonely and as pathetic
as the killer he is pursuing.
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Film Synopsis
Jacques, a modest bank employee in Paris, finds it hard to enter into any
kind of normal relationship with the opposite sex. Whenever he approaches
a woman the object of his desire takes fright at his strange behaviour and
repels him. This series of brutal rejections causes Jacques to becoming
increasing violent, and in the end he begins to kill the women to whom he
is strongly attracted. One day, he acquires an obsessive interest in
a film actress named Pauline. Armed with a knife, he forces his way
into her home and forces her to strip. Even though the woman complies
with his instructions, Jacques cannot bring himself to touch her. He
leaves her unharmed and she promptly gets in touch with the police.
Pauline's anxious call arouses the interest of Superintendent Ravic, who
sees an immediate connection with the series of murders he has been investigating.
Putting himself in the killer's shoes, Ravic knows that Jacques is bound
to return to Pauline's apartment sooner or later - and when he does, the
cop will be ready for him. Sure enough, having killed again, Jacques
calls on the actress a second time and is surprised to find that Pauline
is more than ready to give herself to him. Little does he know that
Ravic is waiting nearby, seething with jealousy...
Cast:Jean-Louis Trintignant (Ravic),
Carole Laure (Pauline Klein),
Richard Berry (Jacques),
Féodor Atkine (Fontaine),
Roland Bertin (L'homosexuel),
Béatrice Camurat (Alice, l'amie de Ravic),
Didier Flamand (Edouard),
Jeanne Goupil (La prostituée),
Nathalie Guérin (La serveuse),
Amélie Prévost (La droguée),
Jean-Pierre Sentier (Laurent),
Alain Bertheau (Le suspect),
Christine Datnowsky (L'employée de bureau),
Jean-Louis Fortuit (Ferreri),
Jean-Paul Muel (Le chef de service),
Malène Sveinbjornsson (La fillette au violon),
Anne Roussel (La fille au tourniquet)
Country: France
Language: French
Support: Color
Runtime: 110 min
The history of French cinema
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
Continental Films, quality cinema under the Nazi Occupation
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.