Adieu, plancher des vaches! (1999)
Directed by Otar Iosseliani

Comedy / Drama
aka: Farewell, Home Sweet Home

Film Review

Abstract picture representing Adieu, plancher des vaches! (1999)
Winner of the coveted Prix Louis Delluc in 1999, this uniquely whimsical comedy from Otar Iosseliani offers an original slant on a familiar theme, the inability of human beings to escape from the social milieu they are born into.  Whilst one young man, tired of wealth and privilege, yearns for simpler, more earthy existence, another, from a modest background, squanders his meagre savings to show the world he is a man of means.  Around them, other men and women are engaged in a similarly futile endeavour.

It is hardly the most original or sophisticated of plots, but Otar Iosseliani, with his inimitable eye for detail and penchant for wry observational comedy, makes of it something that is strikingly humanist and rather charming.  With a cinematic style that is simultaneously reminiscent of that of Jacques Tati and Luis Buñuel, with a touch of René Clair for good measure, Iosseliani skilfully captures the nuances of daily life and lends them an air of surreal farce.  His portrayal of the bourgeoisie is particularly cruel, contrasting their preening self-importance with that of a pet stork.  The film's title is a reference to what sailors used to say, with some contempt, when leaving dry land.  How perverse Nature is to give those who are born on land an eternal longing to go to sea... During his self-imposed exile in France, the Georgian filmmaker crafted several quirkily idiosyncratic films of this kind, including the utterly charmimg La Chasse aux papillons (1992).
© James Travers 2004
The above content is owned by frenchfilms.org and must not be copied.
Next Otar Iosseliani film:
Jardins en automne (2006)

Film Synopsis

One day, Nicholas, a rich young man, decides to give up his privileged life and see for himself how ordinary folk live.  He gets a job washing up dishes in a Parisian café, befriends a beggar and tries to court a barmaid, without success.  The latter has fallen for the charms of another young man who spends the little money he has on nice clothes and his smart motorcycle, to give the impression he is wealthy.  For both men, the grass turns out to be much less green than they had imagined...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Otar Iosseliani
  • Script: Otar Iosseliani
  • Cinematographer: William Lubtchansky
  • Music: Nicholas Zourabichvili
  • Cast: Nico Tarielashvili (Son), Lily Lavina (Mother), Philippe Bas (Moto driver), Stephanie Hainque (Girl at bar), Mirabelle Kirkland (Maid), Amiran Amiranashvili (Hobo), Joachim Salinger (Beggar), Emmanuel de Chauvigny (Lover), Otar Iosseliani (Father), Narda Blanchet (Old lady), Yannick Carpentier (Serveur), Mathieu Amalric (A drinker at bar), Alix de Montaigu (Patronne de café), Eva Ionesco (Hooker), Vincent Darasse, Viviane Bonelli, Viviane Bourguinet, Mathieu Demy, Anne-Marie Eisenschitz, Fanny Gonin
  • Country: France / Switzerland / Italy
  • Language: French
  • Support: Color
  • Runtime: 118 min
  • Aka: Farewell, Home Sweet Home

Kafka's tortuous trial of love
sb-img-0
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.
The best French films of 2018
sb-img-27
Our round-up of the best French films released in 2018.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright