Les Ailes blanches (1943) Directed by Robert Péguy
Drama
Film Review
Having triumphed in one shamelessly sentimental melodrama, Le
Voile bleu (1942), Gaby Morlay was an easy shoe-in for this
even more dismal round of gratuitous tear-jerking. Les Ailes blanches deserves its
place in obscurity, belonging as it does to that class of characterless
French melodrama that ought to have been mercilessly culled before the
mid 1930s. Morlay's performance, one of the worst of her career,
reveals how much the lead actress felt about this grade-A yawn-a-thon,
and were it not for the presence of Saturnin Fabre (a pick-me-up if
ever there was one) this film would be unbearable. Jacqueline
Bouvier (later to become Jacqueline Pagnol) also livens up a few
scenes, bringing a touch of modernity the film desperately needs.
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
It was a disappointment in love that led Claire to discover her true
vocation as a nun. Now, in middle age, she takes an interest in
three young women, who have been badly brought up by a widower.
When one of the women is abandoned by her lover, Sister Claire steps in
to save her...
Cast:Gaby Morlay (Soeur Claire),
Jacques Dumesnil (Gérard Clairval),
Marcelle Géniat (Tante Louise),
Jacques Baumer (Henri Lebourg),
Irène Corday (Lucette),
Pierre Magnier (Dupuis-Villeuse),
Lysiane Rey (Nadine),
Georges Vitray (Le notaire),
René Dupuy (Albert),
André Nicolle (Le directeur),
Sinoël (Hyacinthe),
Charles Lemontier (Belin),
Jacqueline Pagnol (Cricri),
Saturnin Fabre (Siméon),
Marie-Louise Godard (La tante de Gérard),
Hélène de Verneuil,
Renée Gardès,
Camille Guérini,
Palmyre Levasseur,
Claire Mafféi
Country: France
Language: French
Support: Black and White
Runtime: 93 min
The very best French thrillers
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.
Continental Films, quality cinema under the Nazi Occupation
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.